OYSTER

July 23rd, 2008, Tomasz Rychlicki

I would like to comment on the whole issue in one sentence: better protect then sue. I know I shouldn’t issue statements like that because being a lawyer I am obliged to write more sophisticated. Well, it looks like I am not a good lawyer. Ad rem.

Details of how to copy the Oyster cards used on London’s transport network can be published, a Dutch judge has ruled.

More details in the article available at www.bbc.co.uk website, and I think that a quotation of Bruce Schneier is the best punchline.

As bad as the damage is from publishing - and there probably will be some - the damage is much, much worse by not disclosing.

Who “steals” from whom?

July 21st, 2008, Tomasz Rychlicki

Very interesting and funny situation happened.

“Piracy is BAD” proclaims every copyright dependent industry lobby group. “Downloading is stealing” is another popular one. How about “downloads are a lost sale”? Ubisoft clearly didn’t believe that last one, as they distributed a no-cd patch from the scene group RELOADED as a fix for one of their games.

More details available at www.torrentfreak.com and www.forums.ubi.com websites. I am not sure if such warez release was preed. If someone of my readers has more information please let me know.

Commercial propaganda

July 17th, 2008, Tomasz Rychlicki

I got this story from the post available at www.adkuchni.blox.pl website which is devoted to marketing stories in comic shorts.

I found a country without advertisments! It’s Cuba. Only billboards, posters I saw during my trip were governmental expression of revolutionary ideas: Fidel in exchange with Che Guevara and Chavez.

And how should I explain to a Cuban guy I met (my Spanish is fading): ¿donde trabajo? – where do I work?

It went like that:

Cuban guy: ¿Donde trabajas? / Where do you work?

I: En la agencia de publicidad / In advertising agency

C: ¿Donde? / where?

I: Agencia de publicidad / In advertising agency

C: ¿Que es eso? / What is this?

After short explaination I heard from him:

C: Si! Es como la agencia de propaganda comercial! / I get it! It’s like: propaganda agency but for commercial.

You’ll also find a link to www.flickr.com website in comments. It presents many pictures of São Paulo City without any advertising.

“Borrowed” from ECOGEEK logo

July 17th, 2008, Tomasz Rychlicki

There is a story of some logo “borrowing” described at www.ecogeek.org website. Paweł Tkaczyk posted a short note about a similar situation in Poland. If someone of you knows about any of such “borrowings” or “similarities” then I’d be happy to read about it. Trust me, I’m not going to sue anyone I just need it for, let’s say “scientific” purposes. :)

Another interesting judgment

July 15th, 2008, Tomasz Rychlicki

Sometime ago I did a post titled “It’s going to be interesting decision“. It was issued yesterday.

Blizzard owns a valid copyright in the game client software, Blizzard has granted a limited license for WoW players to use the software, use of the software with Glider falls outside the scope of the license established in section 4 of the TOU, use of Glider includes copying to RAM within the meaning of section 106 of the Copyright Act, users of WoW and Glider are not entitled to a section 117 defense, and Glider users therefore infringe Blizzard’s copyright. MDY does not dispute that the other requirements for contributory and vicarious copyright infringement are met, nor has MDY established a misuse defense. The Court accordingly will grant summary judgment in favor of Blizzard with respect to liability on the contributory and vicarious copyright infringement claims in Counts II and III.

eBay wins

July 15th, 2008, Tomasz Rychlicki

Tiffany (NJ) Inc. v. eBay Inc., No 04 Civ. 4607 (RJS) (S.D.N.Y July 14, 2008). Tiffany’s motion was rejected. There will be an appeal no dubt. Eric Goldman published some comments and Marty Schwimmer has added judgment’s text to Scribd.

Open WiFi ≠ copyright infringement

July 11th, 2008, Tomasz Rychlicki

You will find more details regarding my laconic topic in the article available at www.arstechnica.com website. Logic won over lobby. Very good.

Congrats to Irish people for their referendum

July 3rd, 2008, Tomasz Rychlicki

When I see such legislative initiatives as reported by the European Digital Rights at www.edri.org website, I start to doubt about European integration if the process of adopting directives looks like that (you do remember how was the Directive of the European Parliament and of the Council on the patentability of computer-implemented inventions adopted and all this controversy with ignoring the voice of one country during the Council meeting right?). I see a lot of advantages of the Community Trade Mark system but lobbying in the European Union makes me annoyed at the bureaucrats and European bureaucracy and you should read this post in such manner. ;)

Update on July 8, 2008.
Philippe Aigrain has written a very detailed post regarding lobby process within the EU in the field of IP law. It is available at www.paigrain.debatpublic.net website.

Wall-E criminal

July 3rd, 2008, Tomasz Rychlicki

1. WALL-E records audio from his favorite movie, Hello Dolly, putting in onto his own digital recorder (bypassing the macrovision DRM on the tape). A COPYRIGHT CRIME UNDER C-61

2. WALL-E archives the audio, he doesn’t merely time-shift it. He listens repeatedly! A COPYRIGHT CRIME UNDER C-61

3. WALL-E shares his DRM-broken music with his friend, another robot named EVE. A COPYRIGHT CRIME UNDER C-61

4. WALL-E watches Hello Dolly on multiple evenings, on the screen of an iPod. Hello Dolly is not available through the iTunes store, therefore he broke the videocassette DRM when he platform shifted it. A COPYRIGHT CRIME UNDER C-61

All details of this criminal personality are described in the article available at www.sffaudio.com website.

Copyright registration

July 2nd, 2008, Tomasz Rychlicki

My last post has triggered some reponses so I’d like to clarify it, in a really short explanation. There is no requirement for copyright protection and enforcement in Poland. The Polish Act on Authors rights and Neighboring Rights on February 4 lutego 1994 (Dzienik Ustaw No 24, pos. 83), consolidated text on May 17 2006 (Dziennik Ustaw No 90, pos. 631), with later changes, explicitly provides that:.

Art. 1, sec. 4
The creator is eligible for protection independently of compliance with formalities of any kind.

How does it work in the US? 17 U.S.C. § 411. Registration and infringement actions (emphasis mine):

(a) Except for an action brought for a violation of the rights of the author under section 106A(a), and except for actions for infringement of copyright in Berne Convention works whose country of origin is not the United States, and subject to the provisions of subsection (b), no action for infringement of the copyright in any United States work shall be instituted until preregistration or registration of the copyright claim has been made in accordance with this title (…)

What does it mean? It means that an effective enforcement of copyright rights is not so easy for the owner. One more time - it applies to any United States work.

New websites, new possibilities

July 1st, 2008, Tomasz Rychlicki

Today is the official “premiere” of the Office for Harmonization in the Internal Market’s website and beginning July 1, 2008, the US Copyright Office is offering online registration of claims to copyright through the electronic Copyright Office (eCO) website.

Not fencing

June 30th, 2008, Tomasz Rychlicki

According to the recent judgment of the Polish Supreme Court of 30 June 2008, act signature I KZP 8/08, PDF file, in Polish language, buying counterfeited goods is not fencing. For more information and commentary please refer to Class46 website.

New TLDs, new challenges

June 27th, 2008, Tomasz Rychlicki

I did a post at class46.blogspot.com website.

The new decision will allow companies to register their brands as generic top-level domain names (TLDs). For instance, Microsoft could apply to have a TLD such as ‘.msn’, Apple could apply for ‘.mac’, and Google for ‘.goog’

You’ve probably noticed that I do not post so often lately. That’s because I’m involved in different projects. I was also invited to join the Editorial Board (Copyright, Related Rights and Designs (including sui generis database right)) of Journal of Intellectual Property Law & Practice which is published by Oxford University Press. But I promise, I will write and post some information here.

SNIDE

June 20th, 2008, Tomasz Rychlicki

Nice action. Check www.snideuk.org website.

SnideUK is a British business with a turnover of over GBP10 billion per year. You might not have heard of us before, you probably do not recognise our logo; there’s a reason for that!

We are a company that does not feel the need to draw attention to ourselves. We do not advertise. We do not plaster our branding all over the place. We just get on with doing our business.

Our core business is of producing and selling a wide range of poor quality and dangerous products, and we are proud to say we excel in this field taking a particular note to pay no attention whatsoever to hazards, risks and consumer rights.

SnideUK is a subsidiary of SnideInc and is part of the Global Counterfeiting Network (GCN) an informal confederation of like-minded organisations encouraging trade in ripped-off tat and sharing best practice in keeping out our products and personnel out of the hands of local, national and international law enforcement agencies.

Car in 3D

June 18th, 2008, Tomasz Rychlicki

The judgment of the U.S. Court of Appeals for 10th Circuit in case Meshwerks, Inc. v. Toyota Motor Sales U.S.A., Inc., No. 06-4222 (10th Cir. Jul. 17 2008), made me thinking a lot lately and it would be a cause for a heart attack of one of my good clients (although it is a legal entity) if analogical case was decided in a similar fashion by a Polish court. You may ask what has happened?
Plaintiff - Meshwerks, Inc., was hired by defendant - Grace & Wild, Inc. to create digital models of several cars manufactured by Toyota. Meshwerks obtained copyright registration certificates covering the models. Meshwerks contended that Toyota Motor Sales U.S.A., Inc., Grace & Wild, 3D Recon, L.L.C., and Saatchi & Saatchi North America, Inc. impermissibly used the models that Meshwerks created. Meshwerks also alleged that Grace & Wild failed to fully pay Meshwerks for the digital modeling that it has performed. United States District Court,D. Utah,Central Division simply ruled.

Although a great deal of skill and effort was involved in the creation of Meshwerks’s three-dimensional digital models, those models do not meet the originality requirement established by copyright law. Accordingly, the models are not entitled to copyright protection. As a result, the Toyota Defendants are entitled to summary judgment on Meshwerks’s copyright claims. Further, the court declines to exercise supplemental jurisdiction over Meshwerks’s breach of contract claim and that claim is therefore dismissed.

The U.S. Court of Appeals for 10th Circuit has affirmed above mentioned judgment.

Although we hold that Meshwerks’ digital, wire-frame models are insufficiently original to warrant copyright protection, we do not turn a blind eye to the fact that digital imaging is a relatively new and evolving technology and that Congress extended copyright protection to “original works of authorship fixed in any tangible medium of expression, now known or later developed.” 17 U.S.C. § 102(a) (emphasis added). A Luddite might make the mistake of suggesting that digital modeling, as was once said of photography, allows for nothing more than “mechanical reproduction of the physical features or outlines of some object… and involves no originality of thought or any novelty in the intellectual operation connected with its visible reproduction in [the] shape of a picture.” Burrow-Giles, 111 U.S. at 59. Clearly, this is not so.

Digital modeling can be, surely is being, and no doubt increasingly will be used to create copyrightable expressions. Yet, just as photographs can be, but are not per se, copyrightable, the same holds true for digital models. There’s little question that digital models can be devised of Toyota cars with copyrightable features, whether by virtue of unique shading, lighting, angle, background scene, or other choices. The problem for Meshwerks in this particular case is simply that the uncontested facts reveal that it wasn’t involved in any such process, and indeed contracted to provide completely unadorned digital replicas of Toyota vehicles in a two-dimensional space. For this reason, we do not envision any “chilling effect” on creative expression based on our holding today, and instead see it as applying to digital modeling the same legal principles that have come, in the fullness of time and with an enlightened eye, to apply to photographs and other media.

Originality is the sine qua non of copyright. If the basic design reflected in a work of art does not owe its origin to the putative copyright holder, then that person must add something original to that design, and then only the original addition may be copyrighted. In this case, Meshwerks copied Toyota’s designs in creating digital, wire-frame models of Toyota’s vehicles. But the models reflect, that is, “express,” no more than the depiction of the vehicles as vehicles. The designs of the vehicles, however, owe their origins to Toyota, not to Meshwerks, and so we are unable to reward Meshwerks’ digital wire-frame models, no doubt the product of significant labor, skill, and judgment, with copyright protection. The judgment of the district court is affirmed, and defendants’ request for attorneys’ fees is denied.

As usually, both Bill Patry and Marty Schwimmer provide useful and helpful comments.