Archive for: April, 2009

Are these copyrighted works?

April 29th, 2009, Tomasz Rychlicki

The Polish Supreme Court has repeatedly indicated that the copyrighted can be any work, if – at least in its form – it shows some elements of creativity, even the minimum. See for instance a judgement of the Supreme Court of 31 March 1953, case file II C 834/52. As a subject of copyright law have been considered health and safety instructions – judgement of the Supreme Court of 23 July 1971, case file II CR 244/71, unpublished, instructions for operating a machine – judgement of the Supreme Court of 25 April 1969, case file I CR 76/69, published at OSNCP 1970, No. 1, item 15, train timetables, cookbooks, patterns and forms – judgement of the Supreme Court of 8 November 1932, Zb OSN 1933, poz.7.

One of the latest judgment of the Supreme Court of 27 February 2009, case file V CSK 337/08 tried to answer the question whether the specification of essential terms of the contract (also defined by the public procurement system) can be deemed as copyrighted work. There will be another post regarding this issue soon.

Industrial design, case VI SA/Wa 109/09

April 19th, 2009, Tomasz Rychlicki

The Voivodeship Administrative Court (VAC) in Warsaw in a judgment of 4 April 2009, case file VI SA/Wa 109/09, ruled that is not important, who disclosed the design. The PPO correctly pointed out on the wording of article 103(3)(ii) of the IPL.

1. An industrial design shall be considered new if, before the date according to which priority to obtain a right in registration is determined and subject to paragraph (2), no identical design has been made available to the public, i.e. used, exhibited or otherwise disclosed. Designs shall also be deemed to be identical with those made available to the public if their features differ only in immaterial details.
(…)
3. The provision of paragraph (1) shall not prevent a right in registration to be granted, if a design:
(…)
ii) has been disclosed during 12-month period preceding the date according to which priority to obtain a right in registration is determined, by the designer, his successor in title or a third person with the right holder’s consent, as well as if the disclosure has occurred as a consequence of an abuse in relation to the designer or his successor in title.

Only the disclosure by the creator, his legal successor, or – with the consent of the holder – by a third party, and if the disclosure was made as a result of abuse in relation to the creator or his successor in the 12 months period before the priority date, does not harm the novelty requirement, any other publicly available disclosure of a design is an obstacle for the novelty requirement.

This case concerned the industrial design “Parapet okienny” (in English: windowsill), Rp-10571.

Wzór Przemysłowy 10571

See also my post entitled “Polish case law on industrial designs“.

Punchline and erratum

April 13th, 2009, Tomasz Rychlicki

In a previous post, I posted a short music theme for the article titled “Sampling and scratching in US copyright and Polish law: a comparative analysis“.

I feel obliged to mention that the “copyright infringement” sample was provided by our reliable friend Artur Zawiasiński. I wish the publisher followed our sggestions and embedded all samples in the PDF version of the article. You may download them separately for now. We will work on the 2.0 version of this article.

The aforementioned article ends like this.

Since the Polish courts have not produced any decisions concerning the use of scratches and samples, a legal analysis of such activities can be, as in this article, performed only on the basis of abstract regulation. In the light of on one hand the heritage of American case law and on the other of the analysis of the Polish law, there seems to be one controversial conclusion: the Polish quotation right provides for the ability to use samples without the consent of copyright owners of original works if some conditions are met. Nowadays music (or broadly speaking all kinds of creativity) increasingly often turns to the past and remakes, sometimes truly creatively, the existing works. Paradoxically, the Polish author’s rights law with its general provision in Article 29, section 1 and some imperfections in it notwithstanding, is more realistic and addresses creators’ needs better than the American copyright law.

Samples, scratches and the law

April 6th, 2009, Tomasz Rychlicki

I wrote or should I say I’ve created an article together with Adam Zieliński and Grzegorz Czerkasow (DJ TWISTER) titled “Sampling and scratching in US copyright and Polish law: a comparative analysis“. It was published in the Journal of Intellectual Property Law & Practice, 2009 4: 353-359. You may listen to the main theme of our article or you may download it – it is MP3 file and it is an integral part of the article. :)

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

This music work is released under Creative Commons Attribution-Share Alike 3.0 United States License.

O tempora o mores o fuc…

April 2nd, 2009, Tomasz Rychlicki

A leaflet advertising of Club Fire from Ipswich that was showing the late Pope John Paul II holding a bottle of beer and dancing with a blonde woman has been banned by the British Advertising Standards Authority. More details in the article available at telegraph.co.uk website.